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A Beautiful Pageant

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Cover of 'A Beautiful Pageant'

Table of Contents

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    Book Overview
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    Chapter 1 African American Performance in the Harlem Renaissance
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    Chapter 2 Men in Black and White: Race and Masculinity in the Heavyweight Title Fight of 1910
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    Chapter 3 Exoticism, Dance, and Racial Myths: Modern Dance and the Class Divide in the Choreography of Aida Overton Walker and Ethel Waters
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    Chapter 4 “The Pageant Is the Thing”: Black Nationalism and The Star of Ethiopia
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    Chapter 5 Walter Benjamin and the Lynching Play: Mourning and Allegory in Angelina Weld Grimké’s Rachel
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    Chapter 6 Migration, Fragmentation, and Identity: Zora Neale Hurston’s Color Struck and the Geography of the Harlem Renaissance
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    Chapter 7 The Wages of Culture: Alain Locke and the Folk Dramas of Georgia Douglas Johnson and Willis Richardson
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    Chapter 8 “In the Whirlwind and the Storm”: Marcus Garvey and the Performance of Black Nationalism
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    Chapter 9 Whose Role Is It, Anyway?: Charles Gilpin and the Harlem Renaissance
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    Chapter 10 “What Constitutes a Race Drama and How May We Know It When We Find It?”: The Little Theatre Movement and the Black Public Sphere
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    Chapter 11 Shuffle Along and the Quest for Nostalgia: Black Musicals of the 1920s
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    Chapter 12 Conclusion: The end of “Butter Side Up”
Attention for Chapter 10: “What Constitutes a Race Drama and How May We Know It When We Find It?”: The Little Theatre Movement and the Black Public Sphere
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Chapter title
“What Constitutes a Race Drama and How May We Know It When We Find It?”: The Little Theatre Movement and the Black Public Sphere
Chapter number 10
Book title
A Beautiful Pageant
Published by
Palgrave Macmillan, New York, January 2002
DOI 10.1007/978-1-137-06625-1_10
Book ISBNs
978-1-4039-6541-7, 978-1-137-06625-1
Authors

David Krasner

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