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Identity, Performance and Technology

Overview of attention for book
Cover of 'Identity, Performance and Technology'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Improvising Artists, Embodied Technology and Emergent Techniques
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    Chapter 3 Shifting Listening Identities – Towards a Fluidity of Form in Digital Music
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    Chapter 4 Art as Eudaimonia: Embodied Identities and the Return Beat
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    Chapter 5 Graeae: An Aesthetic of Access — (De)Cluttering the Clutter
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    Chapter 6 Woven Bodies, Woven Cultures
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    Chapter 7 Pina
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    Chapter 8 Experiential Identities in the Work of Marisa Carnesky
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    Chapter 9 Lynn Hershman and the Creation of Multiple Robertas
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    Chapter 10 (be)longing : A Case Study of Recording and Representation
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    Chapter 11 Pluralistic Presence: Practising Embodiment with My Avatar
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    Chapter 12 The Silent Screen/Scream: A Sensual Exploration of the Interior/Exterior Screens of the (Dis)Closing Subject
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    Chapter 13 Below the Surface
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    Chapter 14 Stelarc’s Mystical Body
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    Chapter 15 Borderless Bodies — The Cellulardata Body
Attention for Chapter 3: Shifting Listening Identities – Towards a Fluidity of Form in Digital Music
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