Mapping Landscapes for Performance as Research

Table of Contents

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   Book Overview
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   Chapter 1 Performance Practice as Research: Perspectives from a Small Island
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   Chapter 2 Working on the Middle Ground: A Case Study of Institutional Inter-Action about Practice as Research
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   Chapter 3 Troubling Performance: Local, National and International
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   Chapter 4 Using Performance as a Practice as Research Tool in Africa
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   Chapter 5 Rating the Theatre Practitioner: A South African Case Study
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   Chapter 6 Performance as Research in Australia: Legitimating Epistemologies
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   Chapter 7 Locating the Artist-Researcher: Shifting Sites of Performance as Research (PAR) in Canada
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   Chapter 8 Social Performance Studies (in China): Between the Real and the Virtual
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    Chapter 9 Artistic Research — from Apartness to the Umbrella Concept at the Theatre Academy, Finland
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    Chapter 10 An Actor Prepares: Performance as Research (PAR) in the Theatre
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    Chapter 11 Making a Dance/Researching through Movement
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    Chapter 12 Performance as Research (PAR) in North American Ethnomusicology
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    Chapter 13 The Three Configurations of Studio-Art PhDs
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    Chapter 14 Approaching Knowledge, Research, Performance and the Arts
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    Chapter 15 Action Research
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    Chapter 16 Disjunction: Performing Media Space
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    Chapter 17 Embodiment
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    Chapter 18 Environment
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    Chapter 19 Lab/Studio
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    Chapter 20 Medium
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    Chapter 21 Oral History
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    Chapter 22 Site-Particular
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    Chapter 23 Situated Knowledge
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    Chapter 24 When Is Art Research?
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    Chapter 25 The Oral History Project: Practice-Based Research in Theatre and Performance
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    Chapter 26 University Gamelan Ensembles as Research
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    Chapter 27 Performative and Pedagogical Interventions: Embodying Whiteness as Cultural Critique
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    Chapter 28 Open up the Box: Pedagogy, Action Research and Art
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    Chapter 29 Searching for Spalding Gray : PAR Pedagogy, an Undergraduate Ensemble, and “The Edinburgh Project”
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    Chapter 30 Valuing Performance/Practice as Academic Knowledge
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    Chapter 31 Performed Research: Audience as Investigator
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    Chapter 32 Miss Translation USA Goes to Cuba: Performance as Research toward a Performative Ethnography
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    Chapter 33 Acting (on) Our Own Discomforts: BLW’s [Media] Performance as Research
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    Chapter 34 Theory/Practice as Research: Explorations, Questions and Suggestions
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    Chapter 35 Dramaturgy: Conceptual Understanding and the Fickleness of Process
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    Chapter 36 Collisions in Time: Twenty-First-Century Actors Explore Delsarte on the Holodeck
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    Chapter 37 Living on the Edge: Alternate Controllers and the Obstinate Interface