The Medieval Motion Picture

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Cover of 'The Medieval Motion Picture'

Table of Contents

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Book Overview
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Chapter 1 Introduction: Temporalities of Adaptation
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Chapter 2 “Now is the Time”: Shakespeare’s Medieval Temporalities in Akira Kurosawa’s Ran
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Chapter 3 Dracula’s Times: Adapting the Middle Ages in Francis Ford Coppola’s Bram Stoker’s Dracula
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Chapter 4 Rethinking Anachronism for Medieval Film in Richard Donner’s Timeline
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Chapter 5 Otherness Redoubled and Refracted: Intercultural Dialogues in The Thirteenth Warrior
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Chapter 6 Crisis Discourse and Art Theory: Richard Wagner’s Legacy in Films by Veith von Fürstenberg and Kevin Reynolds
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Chapter 7 Adaptation as Hyperreality: The (A)Historicism of Trauma in Robert Zemeckis’s Beowulf
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Chapter 8 Perils of Generation: Incest, Romance, and the Proliferation of Narrative in Game of Thrones
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Chapter 9 Arthurian Myth and Cinematic Horror: M. Night Shyamalan’s The Sixth Sense
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Chapter 10 Marian Rewrites the Legend: The Temporality of Archaeological Remains in Richard Lester’s Robin and Marian

Attention for Chapter 9: Arthurian Myth and Cinematic Horror: M. Night Shyamalan’s The Sixth Sense

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Chapter title	Arthurian Myth and Cinematic Horror: M. Night Shyamalan’s The Sixth Sense
Chapter number	9
Book title	The Medieval Motion Picture
Published by	Palgrave Macmillan, New York, January 2014
DOI	10.1057/9781137074249_9
Book ISBNs	978-1-349-29443-5, 978-1-137-07424-9
Authors	Hans Jürgen Scheuer, Scheuer, Hans Jürgen

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