Music, Language, Speech and Brain

Table of Contents

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   Book Overview
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   Chapter 1 Knowledge of language and the sounds of speech
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   Chapter 2 Structure and association in descriptions of music, with a coda on linguistic analogies
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   Chapter 3 Some lines of poetry viewed as music
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   Chapter 4 The melodic structures of music and speech: Applications and dimensions of the implication—realization model
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   Chapter 5 Magritte, music and methods of language description
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   Chapter 6 Invariance in the linguistic expression, with digressions into music
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   Chapter 7 Durationally specified intonation in English and Bengali
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   Chapter 8 Summary and discussion of descriptions of music and language
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    Chapter 9 Speech research: An overview
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    Chapter 10 Rhythm, accentuation and final lengthening in French
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    Chapter 11 Performance rules in a text-to-speech system
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    Chapter 12 Music and the phonological principle: Remarks from the phoneticians’s bench
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    Chapter 13 Emotion expression in speech and music
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    Chapter 14 Linguistic rhythm and speech segmentation
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    Chapter 15 Summary and discussion of speech performance
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    Chapter 16 Music performance research: An overview
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    Chapter 17 Expression and communication in musical performance
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    Chapter 18 Recent work in real-time music understanding by computer
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    Chapter 19 Context-dependent intonation variants of melodic intervals
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    Chapter 20 Summary and discussion of music performance
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    Chapter 21 Analogies in the production of speech and music
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    Chapter 22 The human voice as a biological musical instrument
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    Chapter 23 Voices and strings: Close cousins or not?
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    Chapter 24 Some cognitive and perceptual aspects of speech and music
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    Chapter 25 Melodic structure: Theoretical and empirical descriptions
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    Chapter 26 Using brief glimpses to decompose mixtures
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    Chapter 27 Lexical alignment and activation in spoken word recognition
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    Chapter 28 Summary and discussion of cognitive and perceptual aspects
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    Chapter 29 Neurophysiology of brain function: An overview
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    Chapter 30 EEG studies in the perception of simple and complex rhythms
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    Chapter 31 Prosody, musical rhythm, tone pitch and response initiation during amytal hemisphere anaesthesia
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    Chapter 32 The ‘composition’ of thought and behaviour
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    Chapter 33 Cognitive and brain mechanisms in perceptual learning
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    Chapter 34 Expressive performance with electronic instruments
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    Chapter 35 Speech and music combined: an overview
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    Chapter 36 Stress patterns and rhythm in the reading of prose and poetry with analogies to music performance
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    Chapter 37 The relationship of text and tune in Chinese opera
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    Chapter 38 Interrelationships between verbal and musical grammars
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    Chapter 39 Summary and discussion of speech and music combined
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    Chapter 40 Comments on the symposium
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    Chapter 41 Summary