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The Jews and British Romanticism

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Cover of 'The Jews and British Romanticism'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: The Politics of Religion
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    Chapter 2 Mr. Punch at the Great Exhibition: Stereotypes of Yankee and Hebrew in 1851
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    Chapter 3 Passing for a Jew, On Stage and Off: Stage Jews and Cross-Dressing Gentiles in Georgian England
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    Chapter 4 William Blake and the Jewish Swedenborgians
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    Chapter 5 Blake and the Book of Numbers: Joshua the Giant Killer and the Tears of Balaam
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    Chapter 6 Following the Muse: Inspiration, Prophecy, and Deference in the Poetry of Emma Lyon (1788–1870), Anglo-Jewish Poet
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    Chapter 7 Identity, Diaspora, and the Secular Voice in the Works of Isaac D’Israeli
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    Chapter 8 Anglo-Jewish Identity and the Politics Of Cultivation in Hazlitt, Aguilar, and Disraeli
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    Chapter 9 Charlotte Dacre’s Zofloya: The Gothic Demonization of the Jew
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    Chapter 10 Commerce, Concern, and Christianity: Britain and Middle-Eastern Jewry in the Mid-Nineteenth Century
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    Chapter 11 Jewish Translations of British Romantic Literature (1753–1858): A Preliminary Bibliography
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    Chapter 12 The Reader as Witness: “City of the Killings” and Bialik’s Romantic Historiography
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    Chapter 13 Coleridge’s Misreading of Spinoza
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    Chapter 14 Mendelssohn and Coleridge on Words, Thoughts, and Things
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    Chapter 15 Standing at Mont Blanc: Coleridge and Midrash
Attention for Chapter 12: The Reader as Witness: “City of the Killings” and Bialik’s Romantic Historiography
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Chapter title
The Reader as Witness: “City of the Killings” and Bialik’s Romantic Historiography
Chapter number 12
Book title
The Jews and British Romanticism
Published by
Palgrave Macmillan, New York, January 2005
DOI 10.1007/978-1-137-06285-7_12
Book ISBNs
978-1-349-73251-7, 978-1-137-06285-7
Authors

Lilach Lachman, Lachman, Lilach

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