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Performing Exile, Performing Self

Overview of attention for book
Cover of 'Performing Exile, Performing Self'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: On Theater and Exile: Toward a Definition of Exilic Theater as Performing Odyssey
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    Chapter 2 Heteroglossia of a Castaway: On the Exilic Performative of Joseph Brodsky’s Poetry and Prose
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    Chapter 3 Beyond the Postcolonial Dasein: On Derek Walcott’s Narratives of History and Exile
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    Chapter 4 Performing Exilic Communitas: On Eugenio Barba’s Theater of a Floating Island
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    Chapter 5 The Homebody/Kanjiža: On Josef Nadj’s Exilic Theater of Autobiography and Travelogue
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    Chapter 6 To the Poetics of Exilic Adolescence: On Wajdi Mouawad’s Theater of Secondary Witness and Poetic Testimony
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    Chapter 7 Framing the Ancestry: Performing Postmemory in Atom Egoyan’s Post-Exilic Cinema
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    Chapter 8 Conclusion: On the Lessons of Exilic Theater, Performing Exile, Performing Self
Attention for Chapter 4: Performing Exilic Communitas: On Eugenio Barba’s Theater of a Floating Island
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Chapter title
Performing Exilic Communitas: On Eugenio Barba’s Theater of a Floating Island
Chapter number 4
Book title
Performing Exile, Performing Self
Published by
Palgrave Macmillan, London, January 2012
DOI 10.1057/9780230371910_4
Book ISBNs
978-1-349-30703-6, 978-0-230-37191-0
Authors

Yana Meerzon, Meerzon, Yana

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