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Cinema, Law, and the State in Asia

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Cover of 'Cinema, Law, and the State in Asia'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction Cinema, Law, and the State in Asia
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    Chapter 2 Cinema, Citizenship, and the Illegal City
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    Chapter 3 Bombay Bhai : The Gangster in and behind Popular Hindi Cinema
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    Chapter 4 Sex in the Transnational City: Discourses of Gender, Body, and Nation in the “New Bollywood”
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    Chapter 5 Islamic “Terrorism” and Visions of Justice in Khalid Mohamed’s F IZA
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    Chapter 6 The Poverty of Justice: Postcolonial Condition and Representations of Justice in Contemporary Philippine Cinema
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    Chapter 7 Shadowboxing with the Censors: A Vietnamese Woman Directs the War Story
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    Chapter 8 Oshima Nagisa’s Ai no korida Reconsidered: Law, Gender, and Sexually Explicit Film in Japanese Cinema
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    Chapter 9 Freedom of Thought and National Security Law in Recent South Korean Cinema: The Road Taken (Seontaek) and Its Genre
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    Chapter 10 Did Qiu Ju Get Good Legal Advice?
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    Chapter 11 Blood in the Bathroom: Shanghai Triad as Gangster Noir
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    Chapter 12 Chinese Lawyers on the Silver Screen
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    Chapter 13 Playing with Intertextuality and Contextuality: Film Piracy On and Off the Chinese Screen
Attention for Chapter 9: Freedom of Thought and National Security Law in Recent South Korean Cinema: The Road Taken (Seontaek) and Its Genre
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