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Male Subjectivity and Poetic Form in “New American” Poetry

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Cover of 'Male Subjectivity and Poetic Form in “New American” Poetry'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 “In Thicket”: Charles Olson, Poetic Career, and the Crisis of Cold War Masculinity
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    Chapter 3 “Homosexual Advertising”: Gay Subjectivity, Modernist Form, and Robert Duncan’s The Venice Poem
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    Chapter 4 In the Shadow of Nerval: Robert Duncan, Robin Blaser, and the Poetics of (Mis)Translation
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    Chapter 5 Recovering the Public World: Robin Blaser, Hannah Arendt, and the Discourses of Self and Other in Image-Nations 1–12
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    Chapter 6 “Collapsed Aura”: Nathaniel Mackey, Robert Duncan, and the Poetics of Discrepant Subjectivity in “Song of the Andoumboulou”
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    Chapter 7 Afterword
Attention for Chapter 3: “Homosexual Advertising”: Gay Subjectivity, Modernist Form, and Robert Duncan’s The Venice Poem
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Chapter title
“Homosexual Advertising”: Gay Subjectivity, Modernist Form, and Robert Duncan’s The Venice Poem
Chapter number 3
Book title
Male Subjectivity and Poetic Form in “New American” Poetry
Published by
Palgrave Macmillan, New York, January 2010
DOI 10.1057/9780230106802_3
Book ISBNs
978-1-349-38034-3, 978-0-230-10680-2
Authors

Andrew Mossin

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