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Staging China

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Cover of 'Staging China'

Table of Contents

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    Book Overview
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    Chapter 1 General Introduction
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    Chapter 2 After 70 Years, a Production That Redefines a Huaju Classic: Wang Yansong’s New Interpretation of The Savage Land
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    Chapter 3 Lin Zhaohua’s Innovation of Huaju Acting in The Master Builder
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    Chapter 4 Shang Yang and the Performance of Historical Drama in Reform-Era China
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    Chapter 5 Breaking Out of the “Main Melody”: Meng Bing and His “Monumental Theatre”
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    Chapter 6 Romancing Home: Sweet & Sour Hong Kong
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    Chapter 7 Performing Poetry on the Intermedial Stage: Flowers in the Mirror , Moon on the Water , and Beijing Avant-Garde Theatre in the New Millennium
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    Chapter 8 Survival through Laughter: A Fun Gongfu : The Story of the Deer and the Cauldron
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    Chapter 9 Staging a New Venture: Tian Qinxin’s The Yellow Storm and the Policy Change on the Huaju Industry in China
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    Chapter 10 Taiwan’s Little Theatre Grows Up: Reviving Peking Opera: The Revelation into a Classic
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    Chapter 11 Constructing the Alternative: Grass Stage and The Little Society
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    Chapter 12 For the People, by the People: Penghao Theatre and The Story of Gong and Drum Lane
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    Chapter 13 Conclusion
Attention for Chapter 2: After 70 Years, a Production That Redefines a Huaju Classic: Wang Yansong’s New Interpretation of The Savage Land
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Chapter title
After 70 Years, a Production That Redefines a Huaju Classic: Wang Yansong’s New Interpretation of The Savage Land
Chapter number 2
Book title
Staging China
Published by
Palgrave Macmillan, New York, January 2016
DOI 10.1057/9781137529442_2
Book ISBNs
978-1-349-57316-5, 978-1-137-52944-2
Authors

Siyuan Liu, Liu, Siyuan

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