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Performance in the Borderlands

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Cover of 'Performance in the Borderlands'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Border Moves
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    Chapter 2 Playing the Fence, Listening to the Line: Sound, Sound Art, and Acoustic Politics at the US-Mexico Border
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    Chapter 3 Transnational Cultural Translations and the Meaning of Danzôn across Borders1
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    Chapter 4 Havana Isn’t Waiting: Staging Travel During Cuba’s Special Period
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    Chapter 5 “Architecture is Not Justice”: Seeing Guantánamo Bay
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    Chapter 6 Crossing Hispaniola: Cultural Erotics at the Haitian-Dominican Borderlands
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    Chapter 7 “The Magic of Song!”: John Lomax, Huddie Ledbetter, and the Staging of Circulation
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    Chapter 8 Border Intellectual: Performing Identity at the Crossroads
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    Chapter 9 Calling off the Border Patrol: Intercultural Dramaturgy in Toronto
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    Chapter 10 Transborder Dance: Choreographies by Minerva Tapia
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    Chapter 11 The Epistemology of the Minor-Native in Transcolonial Border Zones
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    Chapter 12 Remembering Genocide within Our Borders: Trail of Tears and US Museum Culture
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    Chapter 13 Poor Enrique and Poor María, Or, the Political Economy of Suffering in Two Migrant Melodramas
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    Chapter 14 New Tropicalism: Performance on the Shifting Borders of Caribbean Disappearance
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    Chapter 15 Performance in the Borderlands Roundtable
Attention for Chapter 4: Havana Isn’t Waiting: Staging Travel During Cuba’s Special Period
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Chapter title
Havana Isn’t Waiting: Staging Travel During Cuba’s Special Period
Chapter number 4
Book title
Performance in the Borderlands
Published by
Palgrave Macmillan, London, January 2011
DOI 10.1057/9780230294554_4
Book ISBNs
978-1-349-36541-8, 978-0-230-29455-4
Authors

Patricia Ybarra, Ybarra, Patricia

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