Compromise and Resistance in Postcolonial Writing

Chapter 1 Introduction — Liberal, Humanist, Modernist, Queer? Reclaiming Forster’s Legacies

Chapter 2 ’He is one of your hollow men’: Homosexuality and Sublimation in Paul Scott’s The Raj Quartet and Ruth Prawer Jhabvala’s Heat and Dust

Chapter 3 Shattered Realities, Torn Nations: (Post)Modernism in J. G. Farrell’s The Siege of Krishnapur and Anita Desai’s Clear Light of Day

Chapter 4 Of ‘planetary strangers’: Humanism in Nadine Gordimer’s The Lying Days and Michael Ondaatje’s The English Patient

Chapter 5 The Politics of Friendship and Hospitality: Liberalism in Salman Rushdie’s Midnight’s Children and The Moor’s Last Sigh and in Zadie Smith’s On Beauty