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The Occult in Modernist Art, Literature, and Cinema

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Cover of 'The Occult in Modernist Art, Literature, and Cinema'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Conceptualizing Occult Modernism
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    Chapter 2 A History of Research into Occult Modernist Literature
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    Chapter 3 Visionary Mimesis and Occult Modernism in Literature and Art Around 1900
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    Chapter 4 August Strindberg’s Art in Modernist and Occult Context
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    Chapter 5 ‘Only Poets and Occultists Believe in Them Just Now’: Fairies and the Modernist Crisis of Authorship
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    Chapter 6 Return from Oblivion: Joséphin Péladan’s Literary Esotericism
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    Chapter 7 Ghosts Before Breakfast : The Appetite for the Beyond in Early Avant-Garde Film
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    Chapter 8 Marie Wilson and Nanos Valaoritis in Conversation: Surrealism, Imagetext, and Occult Aesthetics in Terre de Diamant
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    Chapter 9 Magic Art Between the Primitive and the Occult: Animal Sacrifice in Jan Švankmajer’s Drawer Fetishes
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    Chapter 10 Retrogardism and Occulture in Håkan Sandell’s Poetry
Attention for Chapter 6: Return from Oblivion: Joséphin Péladan’s Literary Esotericism
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