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Vision and Textuality

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Cover of 'Vision and Textuality'

Table of Contents

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    Book Overview
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    Chapter 1 General Introduction
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    Chapter 2 Basic Concepts. Of Art History
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    Chapter 3 Beholding Art History: Vision, Place and Power
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    Chapter 4 Past Looking
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    Chapter 5 A Discourse (With Shape of Reason Missing)
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    Chapter 6 The Aesthetics of Post-History: A German Perspective
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    Chapter 7 How Obvious is Art? Kitsch and the Semiotician
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    Chapter 8 Reading the Gaze: The Construction of Gender in ‘Rembrandt’
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    Chapter 9 Philostratus and the Imaginary Museum
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    Chapter 10 Topic and Figures of Enunciation: It is Myself that I Paint
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    Chapter 11 Armour Fou
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    Chapter 12 The Pen and the Eye: The Politics of the Gazing Body
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    Chapter 13 Impersonal Violence: The Penetrating Gaze and the Field of Narration in Caleb Williams
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    Chapter 14 The Visibility of Visuality: Vauxhall Gardens and the Siting of the Viewer
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    Chapter 15 B/G
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    Chapter 16 Vision Procured
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    Chapter 17 In the Master’s Bedroom
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    Chapter 18 Photo-unrealism: The Contribution of the Camera to the Crisis of Ocularcentrism
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    Chapter 19 Chance Encounters: Flâneur and Détraquée in Breton’s Nadja
Attention for Chapter 13: Impersonal Violence: The Penetrating Gaze and the Field of Narration in Caleb Williams
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