Kennedy Miller Mitchell and the relationality of Australian cinema – global film practice in Australia
Article in Studies In Australasian Cinema (May 2021)
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American–Australian Cinema
Overview of attention for book
Table of Contents
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Altmetric BadgeBook Overview
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Altmetric BadgeChapter 1 Where I’m Calling From: An American–Australian Cinema?
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Altmetric BadgeChapter 2 Rudimentary Modernism: Ken G. Hall, Rear-Projection and 1930s Hollywood
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Altmetric BadgeChapter 3 Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life
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Altmetric BadgeChapter 4 Representations and Hybridizations in First Nation Cinema: Change and Newness by Fusion
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Altmetric BadgeChapter 5 Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette’s Anti-Star Persona
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Altmetric BadgeChapter 6 Accented Relations: Mad Max on US Screens
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Altmetric BadgeChapter 7 Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood
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Altmetric BadgeChapter 8 Australian Horror Movies and the American Market
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Altmetric BadgeChapter 9 The Terrible Terrace: Australian Gothic Reimagined and the (Inner) Suburban Horror of The Babadook
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Altmetric BadgeChapter 10 American Cartel: Block Bookings and the Paramount Plan
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Altmetric BadgeChapter 11 The Multiplex Era
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Altmetric BadgeChapter 12 “Zest to the jaded movie palate”: Wallace Worsley, Scott R. Dunlap and The Romance of Runnibede
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Altmetric BadgeChapter 13 Defining Neverland: P. J. Hogan, J. M. Barrie and Peter Pan in Post-Mabo Australia
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Altmetric BadgeChapter 14 Baz Luhrmann’s The Great Gatsby : Telling a National Iconic Story Through a Transnational Lens
Attention for Chapter 14:
Baz Luhrmann’s The Great Gatsby : Telling a National Iconic Story Through a Transnational Lens