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Gender, Otherness, and Culture in Medieval and Early Modern Art

Overview of attention for book
Cover of 'Gender, Otherness, and Culture in Medieval and Early Modern Art'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction to Gender and Otherness in Medieval and Early Modern Art
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    Chapter 2 Facing Medusa: A Thirteenth-Century Reliquary of King David
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    Chapter 3 Picturing Maternal Anxiety in the Miracle of the Jew of Bourges
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    Chapter 4 Representing Women and Poverty in Late Medieval Art
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    Chapter 5 Forms of Testimony in Dirk Bouts’s Justice of Otto III
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    Chapter 6 Dürer’s Feast of the Rose Garland and the Scuola dei Tedeschi as Strategies for Mediating Foreign, Masculine Identity
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    Chapter 7 “The Monster, Death, Becomes Pregnant:” Representations of Motherhood in Female Transi Tombs from Renaissance France
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    Chapter 8 Embodying Gluttony as Women’s Wildness: Rembrandt’s Naked Woman Seated on a Mound , c. 1629–1631
Attention for Chapter 8: Embodying Gluttony as Women’s Wildness: Rembrandt’s Naked Woman Seated on a Mound , c. 1629–1631
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Citations

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Readers on

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3 Mendeley
Summary Dimensions citations
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Chapter title
Embodying Gluttony as Women’s Wildness: Rembrandt’s Naked Woman Seated on a Mound , c. 1629–1631
Chapter number 8
Book title
Gender, Otherness, and Culture in Medieval and Early Modern Art
Published by
Palgrave Macmillan, Cham, January 2017
DOI 10.1007/978-3-319-65049-4_8
Book ISBNs
978-3-31-965048-7, 978-3-31-965049-4
Authors

Michelle Moseley-Christian, Moseley-Christian, Michelle

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Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 3 Mendeley readers of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 3 100%

Demographic breakdown

Readers by professional status Count As %
Student > Ph. D. Student 1 33%
Unknown 2 67%
Readers by discipline Count As %
Veterinary Science and Veterinary Medicine 1 33%
Unknown 2 67%

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