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Musical Modernism and German Cinema from 1913 to 1933

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Cover of 'Musical Modernism and German Cinema from 1913 to 1933'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: The Cinematic Paradigm
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    Chapter 2 Prologue: Cinema and the Arts
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    Chapter 3 Cinema and Expressionist Drama
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    Chapter 4 Paul Hindemith and the Cinematic Universe
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    Chapter 5 Edmund Meisel: The Cinematic Composer
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    Chapter 6 Der Rosenkavalier : A Problematic Remediation
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    Chapter 7 Cinema and Musical Theatre: Kurt Weill and the Filmmusik in Royal Palace
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    Chapter 8 Alban Berg, Lulu , and Cinema as Artifice
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    Chapter 9 New Objectivity and Abstract Cinema
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    Chapter 10 Between Film Music and Chamber Music
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    Chapter 11 Epilogue: The Dawn of Sound Cinema
Attention for Chapter 9: New Objectivity and Abstract Cinema
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