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Theatre, Performance and Change

Overview of attention for book
Cover of 'Theatre, Performance and Change'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Taking the Mic: Hip Hop’s Call for Change
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    Chapter 3 Rehearsing Citizenship: Performance as Public Practice in the Undergraduate Curriculum
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    Chapter 4 Street Performers Working for Change
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    Chapter 5 The Third Space: Inter-Cultural Youth Performance as a Catalyst for Change
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    Chapter 6 Uncommon Partnerships
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    Chapter 7 Reflections on School Change Through the Arts
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    Chapter 8 n = 1
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    Chapter 9 Denouement: Notes on the End(s) of Activism
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    Chapter 10 Making Change: Performance and the Workings of the Event
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    Chapter 11 Adding to the Dialogue with Latina/o Plays for Young Audiences
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    Chapter 12 An Environment of Cascading Consequences
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    Chapter 13 Creating a Populist Theatre
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    Chapter 14 Laying the Groundwork for Dramatic Results: ASSITEJ’s Next Generation
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    Chapter 15 Fifty Years of Chicano Theatre: Mapping the Face(s) of the New American Theatre
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    Chapter 16 In the Heights at the University of Pittsburgh: Failures, Successes and Change
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    Chapter 17 Choreography, Connections and Change
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    Chapter 18 The Journey Matters: Agency Through Artistry
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    Chapter 19 “Of Change”
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    Chapter 20 Testing the Waters of Change in the Classroom: The Case for Incremental Transformation in Teacher Practice
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    Chapter 21 Racial Justice Activism and Equitable Partnerships: Theories of Change from Theatres of Color
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    Chapter 22 Social Imaginaries and Theatre
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    Chapter 23 Radical Creativity as a Lever for Social Change: Why it Matters, What it Takes
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    Chapter 24 Why Do They Think This Is Okay? Critiquing Performance as a Means for Change
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    Chapter 25 What We Left Behind in Our Race to the Top: Education Reform Goes Metaformative
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    Chapter 26 The Aesthetics of Inclusion
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    Chapter 27 Changes, Everything Changes ( Cambia, todo cambia )
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    Chapter 28 Big History
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    Chapter 29 100 Questions 3 Ideas 1 Story and a Ghost
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    Chapter 30 SHIFT2
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    Chapter 31 “The Odéon is Open”: Performative Politics and the Paris 1968 Uprising
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    Chapter 32 Despite Artists’ Intentions, Emancipated Spectatorship Reinforces Audience Members’ Existing Attitudes and Beliefs
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    Chapter 33 The Breath of Change or How to Stay Awake When the World Desires Sleep and Other Thoughts About Theatre, Performance and Bowie’s “Ch-Changes”
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    Chapter 34 The Waning of Affect, the End of the Liberal Project, and the Rehearsal of Social Change: A Page from the Millennial Playbook
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    Chapter 35 (Inter)Disciplinary Change
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    Chapter 36 The Administrator as Activist
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    Chapter 37 And …?
Overall attention for this book and its chapters
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Title
Theatre, Performance and Change
Published by
Palgrave Macmillan, January 2018
DOI 10.1007/978-3-319-65828-5
ISBNs
978-3-31-965828-5, 978-3-31-965827-8
Editors

Stephani Etheridge Woodson, Tamara Underiner

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X Demographics

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Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 22 Mendeley readers of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 22 100%

Demographic breakdown

Readers by professional status Count As %
Student > Ph. D. Student 3 14%
Student > Doctoral Student 2 9%
Student > Bachelor 2 9%
Other 1 5%
Professor 1 5%
Other 1 5%
Unknown 12 55%
Readers by discipline Count As %
Arts and Humanities 4 18%
Social Sciences 4 18%
Environmental Science 1 5%
Unknown 13 59%