Chapter 1 Introduction

Chapter 2 A ‘Logical’ Explanation of Screen Production as Method-Led Research

Chapter 3 Lights, Camera, Research: The Specificity of Research in Screen Production

Chapter 4 The Primacy of Practice: Establishing the Terms of Reference of Creative Arts and Media Research

Chapter 5 Screenwriting as a Mode of Research, and the Screenplay as a Research Artefact

Chapter 6 Using Practitioner-Based Enquiry (PBE) to Examine Screen Production as a Form of Creative Practice

Chapter 8 Method in Madness: A Case Study in Practice Research Methods

Chapter 9 Cinematography: Practice as Research, Research into Practice

Chapter 10 Practices of Making as Forms of Knowledge: Creative Practice Research as a Mode of Documentary Making in Northeast India

Chapter 11 Fragments, Form and Photogénie: Using Practice to Research the Intersectional Work of Poetic Documentary

Chapter 12 Peter Kennedy’s The Photographs’ Story: The Dialectical Image as Research

Chapter 13 The Naïve Researcher Resisting Methodology: A Ph.D. Experience

Chapter 14 Afterword: Tacit Knowledge and Affect—Soft Ethnography and Shared Domains