Fuwuyuan on Film: Cinema, Socialist Education, and Service Labor from the Great Leap Forward to Reform and Opening Up
Article in Modern China (January 2024)
Revolutionary Cycles in Chinese Cinema, 1951–1979
Overview of attention for book
Table of Contents
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Altmetric BadgeBook Overview
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Altmetric BadgeChapter 1 Introduction: Understanding Revolutionary Culture and Cinema
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Altmetric BadgeChapter 2 From The Life of Wu Xun to the Career of Song Jingshi : Adapting Private Studio Filmmaking Legacy for a Nationalized Cinema, 1951–1957
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Altmetric BadgeChapter 3 From Revolutionary Canon to Bourgeois White Flag: Blooming Flowers and the Full Moon (1958) in the Maoist Campaigns
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Altmetric BadgeChapter 4 From “a Hundred Flowers” to “a Poisonous Weed”: Dangerous Opportunities for Satirical Comedies, 1955–1958
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Altmetric BadgeChapter 5 From Revolutionary Romanticism to Petty Bourgeois Fanaticism: The Great Leap Forward and Filmmakers’ Stylistic Return to the Past, 1958–1960
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Altmetric BadgeChapter 6 From Disaster to Laughter: Making Comedies in a Changing Political Landscape, 1959–1963
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Altmetric BadgeChapter 7 From Conflicting Authorities to Diverse Masses: Early Spring in February (1964) as “Sugarcoated Poison”
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Altmetric BadgeChapter 8 Conclusion: From the Ebb of the Revolution to the End of Revolutionary Cinema, 1967–1979
Attention for Chapter 7:
From Conflicting Authorities to Diverse Masses: Early Spring in February (1964) as “Sugarcoated Poison”
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Citations
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