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A Critique of Judgment in Film and Television

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Cover of 'A Critique of Judgment in Film and Television'

Table of Contents

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    Book Overview
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    Chapter 1 Judgment between Ethics and Aesthetics: An Introduction
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    Chapter 2 The Judging Spectator in the Image
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    Chapter 3 The Tones of Judgment in Local Evening News
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    Chapter 4 “I’m passionate, Lord Sugar”: Young Entrepreneurs, Critical Judgment, and Emotional Labor in Young Apprentice
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    Chapter 5 Amateur Biopolitics: Generalization of a Practice, Limits of a Concept
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    Chapter 6 Peirce’s Better Triad
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    Chapter 7 A Judgment on Judgment: Milošević on Trial
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    Chapter 8 Screen Truth
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    Chapter 9 Judging Cinema: Peter Greenaway’s Visual J’accuse
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    Chapter 10 Cinematic Judgment and Universal Communicability: On Benjamin and Kant with Metz
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    Chapter 11 Constructing the Non-Judgmental Event: Bruno Ganz’s Affective Ethics in Knife in the Head and in The White City
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    Chapter 12 Judgment and the Disappeared Subject in The Headless Woman
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    Chapter 13 Without Judgment: A Feminist Reading of the Immanent Ethics and Aesthetics in Morvern Callar
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    Chapter 14 Biting Critiques: Paranormal Romance and Moral Judgment in True Blood , Twilight , and The Vampire Diaries
Attention for Chapter 9: Judging Cinema: Peter Greenaway’s Visual J’accuse
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Chapter title
Judging Cinema: Peter Greenaway’s Visual J’accuse
Chapter number 9
Book title
A Critique of Judgment in Film and Television
Published by
Palgrave Macmillan, London, January 2014
DOI 10.1057/9781137014184_9
Book ISBNs
978-1-349-43679-8, 978-1-137-01418-4
Authors

Alan Singer

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