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Women and Poetry, 1660–1750

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Cover of 'Women and Poetry, 1660–1750'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: From Punk to Poetess
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    Chapter 2 Aphra Behn (1640?-89): Virginia Woolf and the ‘Little Gods of Love’
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    Chapter 3 Anne Killigrew (1660–85): ‘ … let ‘em Rage, and ‘gainst a Maide Conspire’
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    Chapter 4 Jane Barker (1652–1732): From Galesia to Mrs Goodwife
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    Chapter 5 Mary, Lady Chudleigh (1656– 1710): Poet, Protofeminist and Patron
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    Chapter 6 Anne Finch, Countess of Winchilsea (1661–1720): Sorrow into Song
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    Chapter 7 Elizabeth Singer Rowe (1674– 1737): Politics, Passion and Piety
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    Chapter 8 Lady Mary Wortley Montagu (1689–1762): Haughty Mind, Warm Blood and the ‘Demon of Poesie’
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    Chapter 9 Mary Leapor (1722–46): Menial Labour and Poetic Aspiration
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    Chapter 10 Imagining the Woman Poet: Creative Female Bodies
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    Chapter 11 Rank, Community and Audience: the Social Range of Women’s Poetry
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    Chapter 12 From Manuscript to Print: a Volume of Their Own?
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    Chapter 13 Women in the Literary Market Place: Pimping in Grub Street
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    Chapter 14 Classical and Biblical Models: the Female Poetic Tradition
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    Chapter 15 Political Verse and Satire: Monarchy, Party and Female Political Agency
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    Chapter 16 The Labouring-Class Women Poets: ‘Hard Labour we most chearfully pursue’
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Mentioned by

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3 Wikipedia pages

Citations

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12 Dimensions

Readers on

mendeley
6 Mendeley
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Title
Women and Poetry, 1660–1750
Published by
Palgrave Macmillan UK, September 2003
DOI 10.1057/9780230504899
ISBNs
978-1-4039-0655-7, 978-0-230-50489-9
Editors

Prescott, Sarah, Shuttleton, David E.

Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 6 Mendeley readers of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 6 100%

Demographic breakdown

Readers by professional status Count As %
Student > Ph. D. Student 3 50%
Researcher 2 33%
Student > Bachelor 1 17%
Readers by discipline Count As %
Arts and Humanities 4 67%
Biochemistry, Genetics and Molecular Biology 1 17%
Design 1 17%