“I’m a Little Black Boy and I Don’t Know My Place”: Phil Lynott and the Black Atlantic
Article in Rock Music Studies (July 2021)
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Historical Theory and Methods through Popular Music, 1970–2000
Overview of attention for book
Table of Contents
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Altmetric BadgeBook Overview
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Altmetric BadgeChapter 1 Introduction: The Process and Pedagogy of Historical Theory
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Altmetric BadgeChapter 2 “400 Years”: Modernity, The Longue Durée , and Jamaican Music
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Altmetric BadgeChapter 3 “This Charming Man”: Queer and Alternative Masculinities, 1970–1994
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Altmetric BadgeChapter 4 “Will the Wolf Survive?”: Punk Rock and Chicana/o Identity in Los Angeles
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Altmetric BadgeChapter 5 A Perfect New Loop: Hip-Hop, Deindustrialization, and the Post-Civil Rights Era, 1973–2000
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Altmetric BadgeChapter 6 “The Pride of History”: Post-punk and the Aesthetics of Post-modernity
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Altmetric BadgeChapter 7 Waveless : MTV and the “Quiet” Feminism of the 1980s
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Altmetric BadgeChapter 8 Hiraeth : The Celtic Moment in 1980s Alternative Rock
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Altmetric BadgeChapter 9 “Feels Blind”: Counter-Hegemony in Alternative Rock During the Reagan/Thatcher Era
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Altmetric BadgeChapter 10 “No Depression”: The Nostalgia and Authenticity of Alternative Country
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Altmetric BadgeChapter 11 Conclusion
Attention for Chapter 9:
“Feels Blind”: Counter-Hegemony in Alternative Rock During the Reagan/Thatcher Era
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