Exoticizing the Past in Contemporary Neo-Historical Fiction

Chapter 1 Introduction: Exoticising the Past in Contemporary Neo-Historical Fiction

Chapter 2 Exoticising the Tudors: Hilary Mantel’s Re-Appropriation of the Past in Wolf Hall and Bring Up the Bodies

Chapter 3 Exoticising Colonial History: British Authors’ Australian Convict Novels

Chapter 4 Exoticism and Consumption in Anne Enright’s The Pleasure of Eliza Lynch

Chapter 5 ‘We were again on the trail of cannibals’: Consuming Trauma and Frustrating Exoticism in Robert Edric’s The Book of the Heathen

Chapter 6 ‘It’s like gold leaf, and now it’s rising, peeling away’: Britishness and Exoticism in Sarah Waters’s The Night Watch

Chapter 7 Cannibalising the Other: David Mitchell’s The Thousand Autumns of Jacob de Zoet and the Incorporation of ‘Exotic’ Pasts

Chapter 8 Neo-Victorian Experiments with (Natural) History in Harry Karlinsky’s The Evolution of Inanimate Objects

Chapter 9 ‘Who Do You Think You Are Kidding?’: The Retrieval of the Second World War in Kazuo Ishiguro’s The Remains of the Day and Ian McEwan’s Atonement

Chapter 10 Beasts of Burdened Memories: Exotic Figures in Michael Chabon’s Neo-Historical Holocaust Fiction

Chapter 11 ‘A History of Darkness’: Exoticising Strategies and the Nigerian Civil War in Half of a Yellow Sun by Chimamanda Ngozi Adichie