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Music and Identity in Twentieth-Century Literature from Our America

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Cover of 'Music and Identity in Twentieth-Century Literature from Our America'

Table of Contents

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    Book Overview
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    Chapter 1 Overture
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    Chapter 2 Exposition: Literary and Musical Consonances
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    Chapter 3 Development: Dissonant Confrontations
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    Chapter 4 Intermezzo: Musical Segmentalizing
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    Chapter 5 Theme: Alejo Carpentier Sets the Stage
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    Chapter 6 Variations: Hurston and Carpentier’s Caribbean Counterpoint
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    Chapter 7 Scherzo: ID Don’t Mean a Thing If It Ain’t Got That Swing
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    Chapter 8 Rondo: John Okada Returns to America and Returns to America and Returns…
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    Chapter 9 Exit Music: A Marvelous Future
Attention for Chapter 2: Exposition: Literary and Musical Consonances
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