Deconstructing Contemporary Chinese Art

Table of Contents

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   Book Overview
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   Chapter 1 Somewhere (and Nowhere) Between Modernity and Tradition
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   Chapter 2 International Curatorial Practice and the Problematic De-Territorialization of the ‘Identity’ Show
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   Chapter 3 Qianwei (‘Avant-Garde’) Art in Reform-Era China
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   Chapter 4 Deconstructing Gao Minglu
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   Chapter 5 Cultural Translation and Post hoc Intellectual Conceit
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   Chapter 6 ‘Besiege Wei to Rescue Zhao’: A Stratagem Towards a Post-crisical Art
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   Chapter 7 The Double Way
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   Chapter 8 Silence and Recuperation
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    Chapter 9 The Cult of Ai
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    Chapter 10 The (Continuing) Story of Ai
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    Chapter 11 Inside the Yellow Box
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    Chapter 12 Track Changes
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    Chapter 13 Low Resolution
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    Chapter 14 Answering the Question—‘What is the Chinese Avant-Garde?’
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    Chapter 15 Disjuncture—Tradition—Indirectness
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    Chapter 16 Collaboration as Struggle and Non-cooperation
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    Chapter 17 Time, Life and Nature
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    Chapter 18 ‘Sound Can Be Seen and Form Can Be Heard’
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    Chapter 19 Immersion
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    Chapter 20 Overlit Realm/Inner World
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    Chapter 21 Objectless Desire
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    Chapter 22 A Concise Series of Statements (that May or May Not Be) About the Work of the Artist Han Feng
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    Chapter 23 The 14th Month (After the Great Flood)
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    Chapter 24 A Short Essay About the Work of Wang Xin and Chen Yongwei