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Players, Playwrights, Playhouses

Overview of attention for book
Cover of 'Players, Playwrights, Playhouses'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Expanding Horizons
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    Chapter 2 Theatre History, 1660–1800: Aims, Materials, Methodology
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    Chapter 3 Sleeping with the Enemy: Aphra Behn’s The Roundheads and the Political Comedy of Adultery
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    Chapter 4 Shadowing Theatrical Change
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    Chapter 5 Reading Theatre History from Account Books
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    Chapter 6 Jeremy Collier and the Politics of Theatrical Representation
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    Chapter 7 Reconsidering Theatrical Regulation in the Long Eighteenth Century
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    Chapter 8 Theatre for Nothing
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    Chapter 9 Mixed Marriage: Sheridan, Macklin, and the Hybrid Audience
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    Chapter 10 Country Matters: Irish ‘Waggery’ and the Irish and British Theatrical Traditions
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    Chapter 11 Universality, Early Modernity, and the Contingencies of Representing Race
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    Chapter 12 Hearing the Dead: the Sound of David Garrick
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    Chapter 13 The Visuality of the Theatre
Attention for Chapter 2: Theatre History, 1660–1800: Aims, Materials, Methodology
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Chapter title
Theatre History, 1660–1800: Aims, Materials, Methodology
Chapter number 2
Book title
Players, Playwrights, Playhouses
Published by
Palgrave Macmillan, London, January 2007
DOI 10.1057/9780230287198_2
Book ISBNs
978-0-230-25057-4, 978-0-230-28719-8
Authors

Robert D. Hume

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Mendeley readers

The data shown below were compiled from readership statistics for 1 Mendeley reader of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 1 100%

Demographic breakdown

Readers by professional status Count As %
Researcher 1 100%
Readers by discipline Count As %
Arts and Humanities 1 100%

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