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Space and Subjectivity in Contemporary Brazilian Cinema

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Cover of 'Space and Subjectivity in Contemporary Brazilian Cinema'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Tikmũ’ũn’s Caterpillar-Cinema: Off-Screen Space and Cosmopolitics in Amerindian Film
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    Chapter 3 The Reterritorializations of Urban Space in Brazilian Cinema
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    Chapter 4 Mapping from the Margins: The Films of Beto Brant
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    Chapter 5 Bodies in Landscape: The Scientist’s Presence in Viajo Porque Preciso, Volto Porque Te Amo and Ventos De Agosto
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    Chapter 6 Intensive Spatium and the Construction of Child Subjectivities in Brazilian Cinema
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    Chapter 7 Insolação: Subjective Perception of an Urban Utopia Through the Lens of Love and Loss
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    Chapter 8 Astral Cities, New Selves: Utopian Subjectivities in Nosso Lar and Branco Sai, Preto Fica
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    Chapter 9 Underneath the Surface, Embodied on Screen: Memory and Social Conflict in São Paulo’s Cityscape
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    Chapter 10 The Space of Queer Masculinities in Karim Aïnouz’s Praia Do Futuro
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    Chapter 11 Water and Queer Intimacy
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    Chapter 12 ‘Casa Grande & Senzala’: Domestic Space and Class Conflict in Casa Grande and Que Horas Ela Volta?
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    Chapter 13 O Som Ao Redor: Aural Space, Surveillance, and Class Struggle
Attention for Chapter 9: Underneath the Surface, Embodied on Screen: Memory and Social Conflict in São Paulo’s Cityscape
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