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Sam Shepard and the Aesthetics of Performance

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Cover of 'Sam Shepard and the Aesthetics of Performance'

Table of Contents

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    Book Overview
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    Chapter 1 Surrealism and Sam Shepard’s Early Plays: 1964–1967
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    Chapter 2 Myth, Ritual, and a Search for Selfhood: 1969–1972
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    Chapter 3 Surrealism and Sam Shepard’s Family Plays: Representing Gender
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    Chapter 4 A Comparative Study of Sam Shepard’s Angel City and Luis Buñuel and Salvador Dalí’s Un chien andalou
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    Chapter 5 Tongues, Savage/Love , and The War in Heaven : Angel’s Monologue : Joseph Chaikin and Sam Shepard in Collaboration
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    Chapter 6 States of Shock and Simpatico : Performances of Waste
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    Chapter 7 Conclusion: Through the 1990s and Beyond
Attention for Chapter 3: Surrealism and Sam Shepard’s Family Plays: Representing Gender
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