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Contemporary film music

Overview of attention for book
Cover of 'Contemporary film music'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 A.R. Rahman Interview
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    Chapter 3 The ‘Alternate Space’ of A.R. Rahman’s Film Music
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    Chapter 4 Zbigniew Preisner Interview
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    Chapter 5 Music by Zbigniew Preisner? Fictional Composers and Compositions in the Kieślowski Collaborations
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    Chapter 6 Carter Burwell Interview
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    Chapter 7 Burwell and Space: Inner, Outer, Environmental and Acoustical
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    Chapter 8 Rachel Portman Interview
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    Chapter 9 Eero Tarasti and the Narratological Construction of Rachel Portman’s Emma
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    Chapter 10 Dario Marianelli Interview
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    Chapter 11 Solo Instruments and Internal Focalization in Dario Marianelli’s Pride & Prejudice and Atonement
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    Chapter 12 Mychael Danna Interview
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    Chapter 13 Mychael Danna: Music as Metaphor
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    Chapter 14 John Williams and Contemporary Film Music
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    Chapter 15 Musical Syntax in John Williams’s Film Music Themes
Attention for Chapter 11: Solo Instruments and Internal Focalization in Dario Marianelli’s Pride & Prejudice and Atonement
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