Table of Contents
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Book Overview
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Chapter 1
Blake 2.0: Introduction
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Chapter 2
Mirrored Text/Infinite Planes: Reception Aesthetics in Blake’s Milton
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Chapter 3
‘Rouze up O Young Men of the New Age!’: William Blake, Theodore Roszak, and the Counter Culture of the 1960s–1970s
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Chapter 4
Digital Blake 2.0
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Chapter 5
‘Rob & Plunder … Translate & Copy & Buy & Sell & Criticise, but not Make’: Blake and Copyright Today
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Chapter 6
‘New matter’: Mona Wilson’s The Life of William Blake 85 Years On
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Chapter 7
Celebration and Censure: William Blake and Stories of Masterliness in the British Art World, 1930–59
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Chapter 8
Blake and Surrealism
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Chapter 9
‘The Sculptor Silent Stands before His Forming Image’: Blake and Contemporary Sculpture
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Chapter 10
‘Mental Joy & Mental Health / And Mental Friends & Mental Wealth’: Blake and Art Therapy
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Chapter 11
‘And did those feet’? Blake and the Role of the Artist in Post-War Britain
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Chapter 12
Film in a Time of Crisis: Blake, Dead Man, The New Math(s) , and Last Days
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Chapter 13
‘The end of the world. That’s a bad thing right?’: Form and Function from William Blake to Alan Moore
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Chapter 14
Blake Set to Music
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Chapter 15
‘Only the wings on his heels’: Blake and Dylan
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Chapter 16
‘He Took a Face from the Ancient Gallery’: Blake and Jim Morrison
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Chapter 17
‘Hear the Drunken Archangel Sing’: Blakean Notes in 1990s Pop Music
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Chapter 18
Mental Fight, Corporeal War, and Righteous Dub: The Struggle for ‘Jerusalem’, 1979–2009
Attention for Chapter 11:
‘And did those feet’? Blake and the Role of the Artist in Post-War Britain
