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Reassessing the Hitchcock Touch

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Cover of 'Reassessing the Hitchcock Touch'

Table of Contents

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    Book Overview
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    Chapter 1 Introducing the Hitchcock Touch
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    Chapter 2 Facing the Past as Well as the Future: Music and Sound in Hitchcock’s Early British Sound Films
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    Chapter 3 Between Caméra Stylo and the Making of Images: Hitchcock’s Cinematographers
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    Chapter 4 Hitchcock’s Plotting
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    Chapter 5 Hitchcock’s Brunettes: Visualizing Queerness in the 1940s and 1950s
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    Chapter 6 Gazing and Constructing: Imag(in)ing Madeleine in Vertigo
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    Chapter 7 “If I Won’t Be Myself, Who Will?” The Making of a Star Persona in Alfred Hitchcock Presents and The Alfred Hitchcock Hour
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    Chapter 8 Alfred Hitchcock: Cinematic Seducer Frenzy and the Seduction Theory of Film
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    Chapter 9 The Visual Peak: Saul Bass as Hitchcock’s ‘Pictorial Consultant’
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    Chapter 10 Alfred Hitchcock’s Three Investigators Series
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    Chapter 11 Jack of All Trades: Alfred Hitchcock’s Apprenticeship in Neubabelsberg, 1924/25
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    Chapter 12 Hitchcock—Powell—Ford
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    Chapter 13 Uncommon Dangers: Alfred Hitchcock and the Literary Contexts of the British Spy Thriller
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    Chapter 14 Jaws: Directed by Alfred Hitchcock
Attention for Chapter 8: Alfred Hitchcock: Cinematic Seducer Frenzy and the Seduction Theory of Film
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Chapter title
Alfred Hitchcock: Cinematic Seducer Frenzy and the Seduction Theory of Film
Chapter number 8
Book title
Reassessing the Hitchcock Touch
Published by
Palgrave Macmillan, Cham, January 2017
DOI 10.1007/978-3-319-60008-6_8
Book ISBNs
978-3-31-960007-9, 978-3-31-960008-6
Authors

Marcus Stiglegger

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