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The Musicality of Narrative Film

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Cover of 'The Musicality of Narrative Film'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Music as Model and Metaphor
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    Chapter 3 The Musicality of Film Rhythm
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    Chapter 4 The Rhythm of Rhythms
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    Chapter 5 Musical and Film Kinesis
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    Chapter 6 The Symbolic Nature of Musical and Film Time
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    Chapter 7 Jim Jarmusch’s Dead Man and the Rhythm of Musical Form
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    Chapter 8 Hip Hop and Techno Composing Techniques and Models of Structuring in Darren Aronofsky’s π
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    Chapter 9 Audio-Visual Musicality and Reflexivity in Joe Wright’s Anna Karenina
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    Chapter 10 Conclusion
Attention for Chapter 7: Jim Jarmusch’s Dead Man and the Rhythm of Musical Form
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