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British Fiction After Modernism

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Cover of 'British Fiction After Modernism'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: British Fiction After Modernism
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    Chapter 2 Rendering Justice to the Visible World: History, Politics and National Identity in the Novels of Graham Greene
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    Chapter 3 The Case for Storm Jameson
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    Chapter 4 The Nooks and Crannies of her Being: Howard Spring’s Shabby Tiger and Northern Camp
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    Chapter 5 A Plausible Magic: the Novels of Henry Green
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    Chapter 6 Varieties of Modernism, Varieties of Incomprehension: Patrick Hamilton and Elizabeth Bowen
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    Chapter 7 James Hanley and the Colours of War
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    Chapter 8 The Girl on a Swing: Childhood and Writing in the 1940s
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    Chapter 9 Ivy Compton-Burnett and Risibility
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    Chapter 10 Angus Wilson: No Laughing Matter and No Laughing Matter
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    Chapter 11 Reconsidering Lucky Jim: Kingsley Amis and the Condition of England
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    Chapter 12 Olivia Manning and her Masculine Outfit
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    Chapter 13 The Cold War Way of Death: Muriel Spark’s Memento Mori
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    Chapter 14 The Greater Tragedy Imposed on the Small: Art, Anachrony and the Perils of Bohemia in Rebecca West’s The Fountain Overflows
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    Chapter 15 From Psychology to Ontology: William Golding’s Later Fiction
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    Chapter 16 The British Novel in 1960
Attention for Chapter 7: James Hanley and the Colours of War
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Chapter title
James Hanley and the Colours of War
Chapter number 7
Book title
British Fiction After Modernism
Published by
Palgrave Macmillan UK, January 2007
DOI 10.1057/9780230801394_7
Book ISBNs
978-1-349-54087-7, 978-0-230-80139-4
Authors

Gerard Barrett

Editors

Marina MacKay, Lyndsey Stonebridge

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