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Avant-Garde Performance and Material Exchange

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Cover of 'Avant-Garde Performance and Material Exchange'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Introduction
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    Chapter 3 From Italy and Russia to France and the U.S.: “Fascist” Futurism and Balanchine’s “American” Ballet
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    Chapter 4 Confessions of a Failed Theatre Activist: Intercultural Encounters in Uganda and Rwanda
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    Chapter 5 The Living Theatre’s Arrested Development in Brazil: an Intersection of Activist Performances
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    Chapter 6 Introduction
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    Chapter 7 “Powerful Disseminator of Radical Thought”: Anarchism and the Introduction of Modern Western Theatre to China
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    Chapter 8 Translation, Typography, and the Avant-Garde’s Impossible Text
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    Chapter 9 Maoist Performativities: Milton Acorn and the Canadian Liberation Movement
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    Chapter 10 Introduction
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    Chapter 11 Avant-Garde Becomes Nationalism: Immortalizing Nam June Paik in South Korea
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    Chapter 12 The Avant-Garde of Necessity: the Protest Theatre Movement in Zimbabwe
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    Chapter 13 The Ians in the Audience: Punk Attitude and the Influence of the Avant-Garde
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    Chapter 14 Afterword The Avant-Garde and Vector Studies: A Roundtable
Attention for Chapter 3: From Italy and Russia to France and the U.S.: “Fascist” Futurism and Balanchine’s “American” Ballet
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