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Dance’s Duet with the Camera

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Cover of 'Dance’s Duet with the Camera'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Dance and Film as Siblings
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    Chapter 2 Location, Location, Location: Dance Film and Site-Specific Dance
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    Chapter 3 The Feminist Body Reimagined in Two Dimensions: An Exploration of the Intersections Between Dance Film and Contemporary Feminism
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    Chapter 4 Hollywood Cinematic Excess: Black Swan ’s Direct and Contradictory Address to the Body/Mind
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    Chapter 5 Loïe Fuller and the Poetics of Light, Colour, and Rhythm: Some Thoughts on the Making of fugitive l(i)ght
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    Chapter 6 Naked Came I/Eye: Lights, Camera and the Ultimate Spectacle
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    Chapter 7 Theoretical Duet
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    Chapter 8 Wrestling the Beast… and Not Getting Too Much Blood on Your Skirt: Integration of Live Performance and Video Projection
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    Chapter 9 Turning Around the Gaze in the Age of Technological Proliferation; or, Things Are Seldom What They Seem
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    Chapter 10 Videodance: How Film Enriches the Dance
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    Chapter 11 Maya Deren: Leaping Across Frames and Framing Leaps
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    Chapter 12 Valentine for Dance Historians: Astaire on Film
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    Chapter 13 Moving In(To) 3D
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    Chapter 14 Conclusion: Where the Gaze Lands
Attention for Chapter 9: Turning Around the Gaze in the Age of Technological Proliferation; or, Things Are Seldom What They Seem
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Chapter title
Turning Around the Gaze in the Age of Technological Proliferation; or, Things Are Seldom What They Seem
Chapter number 9
Book title
Dance’s Duet with the Camera
Published by
Palgrave Macmillan, London, January 2016
DOI 10.1057/978-1-137-59610-9_9
Book ISBNs
978-1-137-59609-3, 978-1-137-59610-9
Authors

Ruth Barnes

View on publisher site

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