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Music, Gestalt, and Computing

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Cover of 'Music, Gestalt, and Computing'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Origin and nature of cognitive and systematic musicology: An introduction
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    Chapter 3 Systematic, cognitive and historical approaches in musicology
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    Chapter 4 Empiricism, gestalt qualities, and determination of style: Some remarks concerning the relationship of Guido Adler to Richard Wallaschek, Alexius Meinong, Christian von Ehrenfels, and Robert Lach
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    Chapter 5 Gestalt concepts and music: Limitations and possibilities
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    Chapter 6 Logic, gestalt theory, and neural computation in research on auditory perceptual organization
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    Chapter 7 Knowledge in music theory by shapes of musical objects and sound-producing actions
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    Chapter 8 Statistical gestalts — Perceptible features in serial music
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    Chapter 9 “Verschmelzung”, tonal fusion, and consonance: Carl Stumpf revisited
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    Chapter 10 Schema and gestalt: Testing the hypothesis of psychoneural isomorphism by computer simulation
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    Chapter 11 Self-organizing neural nets and the perceptual origin of the circle of fifths
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    Chapter 12 A model of the perceptual root(s) of a chord accounting for voicing and prevailing tonality
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    Chapter 13 ‘Good’, ‘rair’, and ‘bad’ chord progressions: A regression-analysis of some psychological chord progression data obtained in an experiment by J. Bharucha and C. Krumhansl
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    Chapter 14 Problems of shape and background in sounds with inharmonic spectra
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    Chapter 15 A method of analysing harmony, based on interval patterns or “Gestalten”
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    Chapter 16 Neural network models for the study of post-tonal music
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    Chapter 17 Tempo relations: Is there a psychological basis for proportional tempo theory?
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    Chapter 18 A framework for the subsymbolic description of meter
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    Chapter 19 Musical rhythm: A formal model for determining local boundaries, accents and metre in a melodic surface
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    Chapter 20 Effects of perceptual organization and musical form on melodic expectancies
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    Chapter 21 Continuations as completions: Studying melodic expectation in the creative microdomain Seek Well
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    Chapter 22 Optimizing self-organizing timbre maps: Two approaches
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    Chapter 23 Towards a more general understanding of the nasality phenomenon
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    Chapter 24 Karl Erich Schumann's principles of timbre as a helpful tool in stream segregation research
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    Chapter 25 Cross-synthesis using interverted principal harmonic sub-spaces
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    Chapter 26 Gestalt phenomena in musical texture
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    Chapter 27 Technology of interpretation and expressive pulses
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    Chapter 28 Intonational protention in the performance of melodic octaves on the violin
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    Chapter 29 Sonological analysis of clarinet expressivity
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    Chapter 30 Perceptual analysis of the musical expressive intention in a clarinet performance
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    Chapter 31 Singing, mind and brain — Unit pulse, rhythm, emotion and expression
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    Chapter 32 Emulating gestalt mechanisms by combining symbolic and subsymbolic information processing procedures
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    Chapter 33 Interactive computer music systems and concepts of Gestalt
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    Chapter 34 Gestalt-based composition and performance in multimodal environments
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    Chapter 35 List of sound examples on the CD
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Title
Music, Gestalt, and Computing
Published by
Springer, Berlin, Heidelberg, January 1997
DOI 10.1007/bfb0034102
ISBNs
978-3-54-063526-0, 978-3-54-069591-2
Editors

Marc Leman

Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 3 Mendeley readers of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Canada 1 33%
Unknown 2 67%

Demographic breakdown

Readers by professional status Count As %
Professor 1 33%
Student > Master 1 33%
Student > Ph. D. Student 1 33%
Readers by discipline Count As %
Arts and Humanities 3 100%