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Screening Modern Irish Fiction and Drama

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Cover of 'Screening Modern Irish Fiction and Drama'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Screening Modern Irish Fiction and Drama
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    Chapter 2 Liam O’Flaherty’s The Informer and the Aesthetics of Terror
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    Chapter 3 Deconstructing Political Adaptations: Sean O’Casey’s The Plough and the Stars
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    Chapter 4 Genre and Charisma in Shaw’s Major Barbara
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    Chapter 5 Lewin’s Wilde: Aestheticism, Moralism, and Hollywood
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    Chapter 6 “Wonderful and Incomparable Beauty”: Adapting Period Aesthetic for The Importance of Being Earnest
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    Chapter 7 The Quiet Man : From Story to Film
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    Chapter 8 The British New Wave Screens Ireland: Desmond Davis’s The Girl with Green Eyes (1964)
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    Chapter 9 John Huston’s The Dead (1987)
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    Chapter 10 Sheridan’s Supercrip: Daniel Day-Lewis and the Wonder of My Left Foot (1989)
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    Chapter 11 Roddy Doyle’s The Barrytown Trilogy and Filming Ireland’s “New Picture”
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    Chapter 12 Popular Culture in 1960s Provincial Ireland: Neil Jordan’s The Butcher Boy
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    Chapter 13 The Ritual of Memory in Friel’s Dancing at Lughnasa
Attention for Chapter 4: Genre and Charisma in Shaw’s Major Barbara
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