Performance, Feminism and Affect in Neoliberal Times

Table of Contents

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   Book Overview
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   Chapter 1 Introduction
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   Chapter 2 The Affective Performance of State Love
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   Chapter 3 ‘Not Now, Not Ever’: Julia Gillard and the Performative Power of Affect
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   Chapter 4 Performing Sovereignty Against Jurisprudential Death in an Australian State of Exception
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   Chapter 5 Imagining Love in a Neoliberal Japan: Yanagi Miwa’s Elevator Girl
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   Chapter 6 Nisti Stêrk’s Affective Spaces in For Sweden – With the Times (För Sverige i tiden!)
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   Chapter 7 Raging On: The Politics of Violence in the Work of Jesusa Rodríguez and Liliana Felipe
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   Chapter 8 The Limits of Witness: Regina José Galindo and Neoliberalism’s Gendered Economies of Violence
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    Chapter 9 Protesting Violence: Feminist Performance Activism in Contemporary India
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    Chapter 10 My Cunt, My Rules! Feminist Sextremist Activism in Neoliberal Europe
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    Chapter 11 Mapping Abramović, from Affect to Emotion
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    Chapter 12 Virtuosity: Dance, Entrepreneurialism, and Nostalgia in Stage Irish Performance
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    Chapter 13 Neoliberal Postfeminism, Neo-burlesque, and the Politics of Affect in the Performances of Moira Finucane
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    Chapter 14 Buy One, Get One Free: The Dance Body for the Indian Film and Television Industry
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    Chapter 15 Affecting the Apparatus: Queer Feminist Re/Decodings in the Digital Dramaturgy Lab, Toronto
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    Chapter 16 When Will They Hear Our Voices? Historicizing Gender, Performance, and Neoliberalism in the 1930s
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    Chapter 17 Voices of the 880,000 Won Generation: Precarity and Contemporary Korean Theatre
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    Chapter 18 Female Actors in Swaang: Negotiating the Neoliberal Performance Scenario in Post-1991 India
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    Chapter 19 A Woman Artist in the Neoliberal Chilean Jungle
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    Chapter 20 Feminism, Assemblage, and Performance: Kara Walker in Neoliberal Times
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    Chapter 21 Feeling Out of Place: The ‘Affective Dissonance’ of the Feminist Spectator in The Boys of Foley Street
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    Chapter 22 The Flesh and the Remains: Looking at the Work of Berna Reale
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    Chapter 23 Precarity, Performance, and Activism in Recent Works by Ito Tari and Yamashiro Chikako