Theatricality of women’s voice: An Embarrassing Position by Kate Chopin
Article in Crossroads A Journal of English Studies (January 2021)
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Kate Chopin in Context
Overview of attention for book
Table of Contents
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Altmetric BadgeBook Overview
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Altmetric BadgeChapter 1 Introduction: Kate Chopin in Context: New Approaches
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Altmetric BadgeChapter 2 Chopin’s Enlightened Men
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Altmetric BadgeChapter 3 Kate Chopin and the Dilemma of Individualism
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Altmetric BadgeChapter 4 “A quick conception of all that this accusation meant for her”: The Legal Climate at the Time of “Désirée’s Baby”
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Altmetric BadgeChapter 5 The Gothic in Kate Chopin
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Altmetric BadgeChapter 6 The Pleasures of Music: Kate Chopin’s Artistic and Sensorial Synesthesia
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Altmetric BadgeChapter 7 Maternity vs. Autonomy in Chopin’s “Regret”
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Altmetric BadgeChapter 8 The “I Hate Edna Club”
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Altmetric BadgeChapter 9 Pioneering Kate Chopin’s Feminism: Elizabeth Stoddard’s The Morgesons as Patchwork Precursor to The Awakening
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Altmetric BadgeChapter 10 “I’m So Happy; It Frightens Me”: Female Genealogy in the Fiction of Kate Chopin and Pauline Hopkins
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Altmetric BadgeChapter 11 American Refusals: A Continuum of “I Prefer Not Tos” as Articulated in the Work of Chopin, Hawthorne, Harper, Atherton, and Dreiser
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Altmetric BadgeChapter 12 What Did She Die of? “The Story of an Hour” in the Middle East Classroom
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Altmetric BadgeChapter 13 Teaching Kate Chopin Using Multimedia
Attention for Chapter 10:
“I’m So Happy; It Frightens Me”: Female Genealogy in the Fiction of Kate Chopin and Pauline Hopkins
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Citations
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