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The Post-Apocalyptic Novel in the Twenty-First Century

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Cover of 'The Post-Apocalyptic Novel in the Twenty-First Century'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Modernity beyond Salvage
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    Chapter 2 The Mother of All Apocalypses in Margaret Atwood’s Oryx and Crake
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    Chapter 3 “This Time Round”: David Mitchell’s Cloud Atlas and the Apocalyptic Problem of Historicism
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    Chapter 4 Friday at the End of the World: Apocalyptic Change and the Legacy of Robinson Crusoe in Cormac McCarthy’s The Road and Jeanette Winterson’s The Stone Gods
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    Chapter 5 “Stop! Can You Hear the Eagle Roar?”: Zombie Kitsch and the Apocalyptic Sublime in Colson Whitehead’s Zone One
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    Chapter 6 “The Raw Materials”: Petromodernity, Retromodernity, and the Bildungsroman in Paolo Bacigalupi’s Ship Breaker
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    Chapter 7 Conclusion
Attention for Chapter 6: “The Raw Materials”: Petromodernity, Retromodernity, and the Bildungsroman in Paolo Bacigalupi’s Ship Breaker
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Chapter title
“The Raw Materials”: Petromodernity, Retromodernity, and the Bildungsroman in Paolo Bacigalupi’s Ship Breaker
Chapter number 6
Book title
The Post-Apocalyptic Novel in the Twenty-First Century
Published by
Palgrave Macmillan, New York, January 2016
DOI 10.1057/9781137545848_6
Book ISBNs
978-1-349-71649-4, 978-1-137-54584-8
Authors

Heather J. Hicks, Hicks, Heather J.

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