Chapter 1 Introduction

Chapter 2 Live or Dead? Televised Theatre and its Audiences in Bali

Chapter 3 Law through a Hybrid Genre in Solomon’s Choice : A Case Study of a Reflection on Law Education through Television in Korea

Chapter 4 Eyes of the Other: The Role of Chinese Women through the Lens of Documentary Films

Chapter 5 Almost Propaganda But Not Quite: Identity, Modernity and the Construction of ‘The Native’ in Gift of Life and Viva Tonal

Chapter 6 Between Mainstream and Alternative: Dialect Drama in China

Chapter 8 Defreezing Notions of the Indian Mythological

Chapter 9 The Hindi Horror Film: Notes on the Realism of a Marginal Genre

Chapter 10 From Genre Flick to Art Film: Seijun Suzuki’s Branded to Kill and Pistol Opera

Chapter 11 (In)Action Film: Genre and Identity in Rashid Nugmanov’s The Needle

Chapter 12 The Golden Glow of the Alps: Capitalism, Globalization and Anime ’s Dreams of Europe

Chapter 13 The Other and the Neighbour: Negotiating Representations of ‘Asia’ in Bengali Films

Chapter 14 Genre as Cultural Whimsy: Taking to the Road in The Bird People in China and Cold Fever

Chapter 15 East Asian Pop Culture