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Popular Music Studies Today

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Cover of 'Popular Music Studies Today'

Table of Contents

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    Book Overview
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    Chapter 1 Natural Highs: Timbre and Chills in Electronic Dance Music
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    Chapter 2 The Monkey is Amused to Death : Roger Waters’ Masterpiece and its Commercial Failure
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    Chapter 3 Popular Music Studies in the Context of Post-Communist Historiography in the Czech Republic
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    Chapter 4 Popular Music Analysis and Social Semiotics: The Case of the Reggae Voice
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    Chapter 5 The Presentation of the Self in the Popular Song
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    Chapter 6 “Chinese Got Talent”: Popular Music Singing Competitions in Taiwan and China
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    Chapter 7 Unpacking Performance in the Pop-Rock Biopic
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    Chapter 8 From Earth Angel to Electric Lucifer: Castrati, Doo Wop and the Vocoder
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    Chapter 9 Crowdfunding is Not for Everybody: Performance in the Art of Asking
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    Chapter 10 When I’m (Not) ‘Ere
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    Chapter 11 Binaurality, Stereophony, and Popular Music in the 1960s and 1970s
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    Chapter 12 Adele’s Hello: Harmonic Ambiguity & Modal Inflection in Contemporary Pop
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    Chapter 13 Mapping Popular Music Studies in Turkey Onto Studies in the Anglophone World
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    Chapter 14 Power and Resistance in Iranian Popular Music
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    Chapter 15 ‘Gear Acquisition Syndrome’ – A Survey of Electric Guitar Players
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    Chapter 16 Performing Disorder
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    Chapter 17 From Psychedelia to Djent – Progressive Genres as a Paradox of Pop Culture
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    Chapter 18 The Resonances of Political Disputes in Hong Kong China – Case Studies of Canto-pop
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    Chapter 19 African Manifestations in Brazil: The Crioula Drum Dance
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    Chapter 20 Mach Schau! : The Contribution of The Beatles to the Development of Visual Music in Magical Mystery Tour
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    Chapter 21 Shaping the pancadão : Improvisation and Studio Creativity on Rio Funk Independent Recordings from the Early 1990s
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    Chapter 22 “What Difference Does it Make?” Studying Urban Popular Music from Before the Generalization of the Gramophone: The Example of the First World War Repertoire
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    Chapter 23 Hearing Sexism – Analyzing Discrimination in Sound
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    Chapter 24 Genre Modulation as Sectional Divider
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    Chapter 25 Groenemeyer – A Case Study on Situative Singing Styles
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    Chapter 26 The Music of Samba Schools: A Challenge for Popular Music Studies
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    Chapter 27 Who said we were over it? On Nationalist Nostalgia and a Specter Haunting Europe: Popular Music and the Melancholic Presence of the Past
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    Chapter 28 What Lessons can Higher Popular Music Education Learn from Art School Pedagogy?
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    Chapter 29 Global Patchbay: Developing Popular Music Expertise Through International Collaboration
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    Chapter 30 Musicology of Listening – New Ways to Hear and Understand the Musical Past
Overall attention for this book and its chapters
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1 Google+ user


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Popular Music Studies Today
Published by
Springer, May 2017
DOI 10.1007/978-3-658-17740-9
978-3-65-817740-9, 978-3-65-817739-3

Julia Merrill

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The data shown below were collected from the profiles of 4 X users who shared this research output. Click here to find out more about how the information was compiled.
Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 5 Mendeley readers of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 5 100%

Demographic breakdown

Readers by professional status Count As %
Student > Ph. D. Student 1 20%
Student > Bachelor 1 20%
Researcher 1 20%
Student > Master 1 20%
Unknown 1 20%
Readers by discipline Count As %
Arts and Humanities 2 40%
Social Sciences 2 40%
Unknown 1 20%