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Women and Material Culture, 1660–1830

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Cover of 'Women and Material Culture, 1660–1830'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Women and their Jewels
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    Chapter 3 Fanny’s Pockets: Cotton, Consumption and Domestic Economy, 1780–1850
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    Chapter 4 ‘Changing her gown and setting her head to rights’: New Shops, New Hats and New Identities
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    Chapter 5 Sculpting in Tiaras: Grand Duchess Maria Fedorovna as a Producer and Consumer of the Arts
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    Chapter 6 Pride and Prejudice: Eighteenth-century Women Sculptors and their Material Practices
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    Chapter 7 A Female Sculptor and Connoisseur: Artistic Self-fashioning and the Exposure of Connoisseurship, Collecting and Concupiscence
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    Chapter 8 The Taste for Bringing the Outside in’: Nationalism, Gender and Landscape Wallpaper (1700-1825)
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    Chapter 9 Taihu Tatlers: Aesthetic Translation in the China Trade
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    Chapter 10 White Slavery: Hannah More, Women and Fashion
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    Chapter 11 Reinstating the ‘Pamela Vogue’
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    Chapter 12 The Book as Cosmopolitan Object: Women’s Publishing, Collecting and Anglo-German Exchange
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    Chapter 13 ‘Books without which I cannot write’: How Did Eighteenth-century Women Writers Get the Books They Read?
Attention for Chapter 7: A Female Sculptor and Connoisseur: Artistic Self-fashioning and the Exposure of Connoisseurship, Collecting and Concupiscence
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Chapter title
A Female Sculptor and Connoisseur: Artistic Self-fashioning and the Exposure of Connoisseurship, Collecting and Concupiscence
Chapter number 7
Book title
Women and Material Culture, 1660–1830
Published by
Palgrave Macmillan, London, January 2007
DOI 10.1057/9780230223097_7
Book ISBNs
978-1-349-28293-7, 978-0-230-22309-7
Authors

Angela Escott, Escott, Angela

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