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Reading Books and Prints as Cultural Objects

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Cover of 'Reading Books and Prints as Cultural Objects'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 From Devotional Aids to Antiquarian Objects: The Prayer Books of Medingen
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    Chapter 3 How to Read the “Andachtsbüchlein aus der Sammlung Bouhier” (Montpellier, BU Médecine, H 396)? On Cultural Techniques Related to a Fourteenth-Century Devotional Manuscript
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    Chapter 4 “ Otium et Negotium ”: Reading Processes in Early Italian and German Humanism
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    Chapter 5 The Fluidity of Images or the Compression of Media Diversity in Books: Galeriewerke and Histoires Métalliques
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    Chapter 6 Change of Use, Change of Public, Change of Meaning: Printed Images Travelling Through Europe
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    Chapter 7 The Promotion of the Heroic Woman in Victorian and Edwardian Gift Books
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    Chapter 8 Pinocchio : An Adventure Illustrated Over More Than a Century (1883–2005)
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    Chapter 9 Illustration and the Book as Cultural Object: Arthur Schnitzler’s Works in German and English Editions
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    Chapter 10 Two Peas in a Pod: Book Sales Clubs and Book Ownership in the Twentieth Century
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    Chapter 11 E-Readers and Polytextual Critique: On Some Emerging Material Conditions in the Early Age of Digital Reading
Attention for Chapter 8: Pinocchio : An Adventure Illustrated Over More Than a Century (1883–2005)
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Summary
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Chapter title
Pinocchio : An Adventure Illustrated Over More Than a Century (1883–2005)
Chapter number 8
Book title
Reading Books and Prints as Cultural Objects
Published by
Palgrave Macmillan, Cham, January 2018
DOI 10.1007/978-3-319-53832-7_8
Book ISBNs
978-3-31-953831-0, 978-3-31-953832-7
Authors

Giorgio Bacci

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