Chapter 1 Introduction

Chapter 2 Beckett’s “Non-canonical” Radio Productions, 1957–1989

Chapter 3 The BBC and Beckett’s Non-radiogenic Plays in the 1950s

Chapter 4 Mediating Modernism: The Third Programme, Samuel Beckett, and Mass Communication

Chapter 5 The BBC as “Commissioner” of Beckett’s Radio Plays

Chapter 6 Imagining Radio Sound: Interference and Collaboration in the BBC Radio Production of Beckett’s All That Fall

Chapter 7 Author, Work and Trade: The Sociology of Samuel Beckett’s Texts in the Years of the Broadcasts for BBC Radio (1957–89). Copyright and Moral Rights

Chapter 9 “My God to Have to Murmur That”: Comment C’est/How It Is and the Issue of Performance

Chapter 10 Fitting the Prose to Radio: The Case of Lessness

Chapter 11 “My comforts! Be friends!”: Words, Music and Beckett’s Poetry on the Third

Chapter 12 Meditations and Monologues: Beckett’s Mid-Late Prose on the Radio

Chapter 13 “None But the Simplest Words”: Beckett’s Listeners