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Performing objects and theatrical things

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Cover of 'Performing objects and theatrical things'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Object Lessons
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    Chapter 2 Technology and Wonder in Thirteenth-Century Iberia and Beyond
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    Chapter 3 “Nothing but a string of beads”: Maud Allan’s Salomé Costume as a “choreographic thing”
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    Chapter 4 Cartomania and the Scriptive Album: Cartes-de-Visite as Objects of Social Practice
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    Chapter 5 The Linguistic Animation of an American Yorick
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    Chapter 6 House Arrest: Museological Performance, Animacy, and the Remains of Rural America
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    Chapter 7 The Unfolding Roles of a Walking Map within NVA’s Half Life
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    Chapter 8 Military Memorialization and its Object(s) of Period Purification
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    Chapter 9 Entided, Enwatered, Enwinded: Human/More-than-Human Agencies in Site-specific Performance
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    Chapter 10 “All Transparent”: Pepper’s Ghost, Plate Glass, and Theatrical Transformation
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    Chapter 11 Que(e)rying Theatrical Objects
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    Chapter 12 Making the Invisible Visible: Virtual Stage Props and Christopher Marlowe’s Dr Faustus
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    Chapter 13 Relic, Souvenir, or Just Hair?: Exploring the Complexities of Objects as Actants and Things as Mementos in the Merchandise of El Vez, The Mexican Elvis
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    Chapter 14 Props Breaking Character: The Performance and Failure of Real Objects on the Naturalist Stage
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    Chapter 15 Bodied Objects: An Analysis of the Whip in George Aiken’s Uncle Tom’s Cabin and Matthew Lopez’s The Whipping Man
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    Chapter 16 Translocalized Drums: Mobilizing the Intercultural in the Cantares Mexicanos
Attention for Chapter 10: “All Transparent”: Pepper’s Ghost, Plate Glass, and Theatrical Transformation
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Chapter title
“All Transparent”: Pepper’s Ghost, Plate Glass, and Theatrical Transformation
Chapter number 10
Book title
Performing Objects and Theatrical Things
Published by
Palgrave Macmillan, London, January 2014
DOI 10.1057/9781137402455_10
Book ISBNs
978-1-349-48670-0, 978-1-137-40245-5
Authors

Aileen Robinson

View on publisher site

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