Listening to China’s Cultural Revolution

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Cover of 'Listening to China’s Cultural Revolution'

Table of Contents

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Book Overview
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Chapter 1 Introduction
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Chapter 2 A Diachronic Study of Jingju Yangbanxi Model Peking Opera Music
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Chapter 3 From Confucianist Meditative Tool to Maoist Revolutionary Weapon: The Seven-Stringed Zither ( Qin ) in the Cultural Revolution
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Chapter 4 Breaking Bad: Sabotaging the Production of the Hero in the Amateur Performance of Yangbanxi
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Chapter 5 Third World Internationalism: Films and Operas in the Chinese Cultural Revolution
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Chapter 6 Singing in the Dark: Film and Cultural Revolution Musical Culture
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Chapter 7 Dialects as Untamable: How to Revolutionize Cantonese Opera?
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Chapter 8 The West is Red: Uyghur Adaptation of The Legend of the Red Lantern (Qizil Chiragh) during China’s Cultural Revolution
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Chapter 9 The Dragon River Reaches the Borders: The Rehabilitation of Ethnic Music in a Model Opera
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Chapter 10 Musical-Dramatic Experimentation in the Yangbanxi : A Case for Precedence in The Great Wall
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Chapter 11 Sonic Imaginary after the Cultural Revolution
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Chapter 12 Just Beat It! Popular Legacies of Cultural Revolution Music

Attention for Chapter 6: Singing in the Dark: Film and Cultural Revolution Musical Culture

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Disperse and preserve the perverse: computing how hip-hop censorship changed popular music genres in China

Article in Poetics (October 2021)

Flying with two wings or coming of age of copyrightisation? A historical and socio-legal analysis of copyright and business model developments in the Chinese music industry

Article in Global Media and China (March 2021)

Cultural policy and revolutionary music during China’s Cultural Revolution: the case of the Shanghai Symphony Orchestra

Article in International Journal of Cultural Policy (August 2016)

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