Adaptation and Illustration

Chapter 1 Introduction: The Circulation of Images—Illustration, Adaptation and the Global Turn

Chapter 2 Illustration and Adaptation in the Balbussos’ Pride and Prejudice (2013) and The Handmaid’s Tale (2012)

Chapter 3 “[T]o Mix Colours for Painters” and Illustrate and Adapt Gulliver’s Travels Worldwide: Street Murals, Adaptability and Transmediality

Chapter 4 Adapting Novel Illustrations for the Almanac: Text/Image Relations in Chodowiecki’s Illustrations for Rousseau’s Julie

Chapter 5 “Alternative Dickens”: The Graphic Adaptation of the Inimitable in The New Yorker

Chapter 6 Ad-app-tive Illustration: Or, the Uses of Illustration

Chapter 7 Drawing from Ozu: An Intermedial Consideration on Clear Line Illustrations Based on Film Frames

Chapter 8 Ekphrasis, Illustration, and Adaptation: Annie Ernaux’s Intermedial Autobiographic and Photographic Production

Chapter 9 The “Great Image-Maker,” or the Animation of Illustrations in Karel Zeman’s Deadly Invention

Chapter 10 The Bobrov Affair : Creating a Graphic Novel Adaptation of a “Lost” Russian-Empire Crime Novel

Chapter 11 Adapting, Translating, Illustrating: French Ballads of Reading Gaol in Word and Image

Chapter 12 What If the Grimms Had Been Born in Brazil? The Case of Five (Illustrated) Adaptations

Chapter 13 The Transcultural Adaptation of The Little Prince to Brazilian Cordel Literature