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Creative Tools and the Softwarization of Cultural Production

Overview of attention for book
Cover of 'Creative Tools and the Softwarization of Cultural Production'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Refiguring the Digital Tools of Cultural Production
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    Chapter 2 TikTok as a Platform Tool: Surveying Disciplinary Perspectives on Platforms and Cultural Production
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    Chapter 3 The Spatial Languages of Virtual Production: Critiquing Softwarization with Aesthetic Analysis
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    Chapter 4 Generative AI and the Technological Imaginary of Game Design
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    Chapter 5 Autoharps, Chord Organs, and MIDI Packs: Easy-Playing Instruments, Gender, and Classes of Musical Participation
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    Chapter 6 Figurations of the Tool Agnostic
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    Chapter 7 The Expressive Subject: Prosumers, Virtuosi, and Digital Musical Control
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    Chapter 8 Artist and Agency: Technologies for Exploring Self and Place
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    Chapter 9 Alternative Gamemaking Tools as Grassroots Platforms
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    Chapter 10 Bypassing Defaults in Data Visualization Design Processes: A Tableau Case Study
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    Chapter 11 The Creative Appropriation of a Scientific Software: The FITS Liberator, a Case Study
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    Chapter 12 Dolby Atmos Music and the Production of Risk
Attention for Chapter 11: The Creative Appropriation of a Scientific Software: The FITS Liberator, a Case Study
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Summary
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Chapter title
The Creative Appropriation of a Scientific Software: The FITS Liberator, a Case Study
Chapter number 11
Book title
Creative Tools and the Softwarization of Cultural Production
Published in
Creative Working Lives, January 2024
DOI 10.1007/978-3-031-45693-0_11
Book ISBNs
978-3-03-145692-3, 978-3-03-145693-0
Authors

Harvey, Maxime

View on publisher site

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